Lebanese abstract painter Fadi Elchamaa channels decades of Beirut's upheaval into abstract portraits that fuse contradiction and immediacy.

I paint between impulse and intent—what cannot be tamed.

(Elchamaa, Lebanese Abstract Painter)

BIO

FADI ELCHAMAA

Born 1960, Beirut   |   Lives and works in Baabdat, Lebanon

Fadi Elchamaa is a Lebanese abstract painter whose practice spans over four decades, emerging from the political and psychic upheavals of 1980s Beirut. A self-taught artist, his early inquiries developed alongside a career in visual communication: from 1998 to 2013, Elchamaa served as Creative Director at J. Walter Thompson, leading conceptual campaigns across eight Arab capitals. This period forged his sensitivity to image, idea, and velocity—qualities that later shaped his painterly vocabulary.

Since 2013, Elchamaa has worked exclusively as a painter. His canvases resist categorical reading, collapsing figuration and abstraction into unstable, hybrid terrains. Portrait and landscape dissolve into one another; stain, erasure, and gesture function as both structure and disruption. At the core of his method is contradiction, not as a subject, but as a formal Engine. The work registers thought as visual residue, translating mental states into fields marked by volatility, suspension, and immediacy.

In 2019, Elchamaa co-founded
Sleeping With The Enemy Productions, an initiative exploring performative and site-responsive actions. Recent exhibitions include And Tomorrow Who Am I? (ARTLAB, Beirut, 2019), FUQA’A (Bubble) (Janine Rubeiz Gallery, 2022), The Disappearing Act (Lynn Modallal Gallery, 2023), and VOLTA New York (2023). His work is held in the Ramzi & Saeda Dalloul Art Foundation, the R&R Haddad Collection, and private collections in New York, Paris, Dubai, Shanghai, and Geneva.

Press

2025